What I liked about this page – aside from the very obvious nipple in the middle of the first panel – is the progression of the images. The top tier is really one big image that has been divided into panels so that all of the dialogue doesn’t happen at once. The two panels in the bottom right corner of the page mimic the structure and allow the main visual elements – the two faces and the nipple action – to remain in-panel.

(Heavy Metal issue #80, November 1983 – Page 25 Texarcana by Findley)