That third panel provides a great segue into what is clearly a dream sequence of some kind – although it could also plausibly be an encounter with a ghost. Either way, the change in art style is handled so seamlessly that it’s uncanny. Another reason why I like this series so much.

(Heavy Metal issue #116, Summer 1988 – Page 88 Dieter Lumpen: Cupid’s Sin by Pellejero and Zentner)