And so, Deiter Lumpen becomes a film star. What’s fantastic about this two page spread is that the entirety of the filming of the movie happens right here, on these two pages. The director yells Action in the first panel and Cut in the last panel and everything in between is told entirely through the art. It’s a very good and economic use of specific images to show and not tell. As always, the linework is amazing throughout.

(Heavy Metal issue #121, July 1989 – Pages 34&35 Caribe: Dieter Lumpen by Pellejero and Zentner)