One of the more explicit supernatural elements in this storyline is centered around the duo of the violin-playing mute and the mutant ballerina. As it turns out, when the boy plays the violin, he can invoke the long-lost sea. This is the first time that his big sister encounters the phenomenon, but the little guy on the cart hears this all the time and it still doesn’t get old. 

From a sequential perspective, this is done very well. The first panel is still and it gets progressively more chaotic as the sequence progresses.

(Heavy Metal issue #132, May 1991 – Page 41 The Waters of DeadMoon by Adamov and Cothias)