The art looks a lot like a cross between Frank Thorne and Dave Gibbons, doesn’t it? The whole story is about a private detective constructing the perfect alibi for the murder of his wife and this page is the twist at the end, showing how that was all documented by a different private detective, who captured it all on film. Which is actually a neat twist.

What I liked about this page is the way that a page full of talking heads is broken up so that it doesn’t get stale. I especially like the pile of photographs in the third panel. 

(Heavy Metal issue #151, July 1994 – Page 63 Privado by Font)