When I first flipped by the bottom panel, I thought that this sexual encounter was some kind of visual metaphor. Then I looked up and noted the context. It’s clear that the model was not very robust, which seems odd to me. I would have thought that they’d use hard plastic, not flimsy cardboard. But what do I know?

Also note the Klimpt painting in the background of the first panel, which is a nice touch.

(Heavy Metal Overdrive Special Issue, 1995 – Page 62 Margot, Queen of the Night by Charyn and Frezzato)