I’m very intrigued by the tassels on the woman in the center panel. They are very strategically placed. Do they spin?

In the bottom panel, you can see that the artist committed the cardinal sin of making the word balloon nearly transparent, so the words disappear into the art. Which is great if you want to provide the illusion that the words in the conversation are drowned out by the commotion in the scene (middle panel). But that’s not what that last panel looks like it wants to convey.

(Heavy Metal issue #162, May 1996 – Page 63 One Day in Paris… by Vane and Corominas)