The real joy of Segrelles as a sequential artist is the “repeated panel where only one or two details are different” (which should really have some kind of shorthand associated with it) sequence. Here, he uses it to great effect to show off how vulnerable a giant glass dome really is, especially when faced with a couple of fugitives trying to escape from a giant floating city.

(Heavy Metal issue #62, May 1982 – Page 89 The Mercenary by Segrelles)