Ozkan seems to be working in an early-Manara-meets-Moebius style with a ton of detail and an affection for stippling, which is just great to look at. I liked this page because it was just a great sequence of a man walking down the street. The POV character’s location in the panel really doesn’t change much, but the context does a lot, which is very effective. That last panel, in particular, tells a whole bunch of stories without lingering on any specific one.

(Heavy Metal issue #149, March 1994 – Page 76 Big Apple by Okzan)