Hey look, there’s a graphic representation of a woman that’s been tied to a bed and brutally murdered. Based on the blood, she was probably raped, too. And the next page shows a young woman (also naked) that has been crucified. Later in the story, we are told that these are the killer’s wife and daughter. They don’t have names or faces, they’re just plot devices. Because of course they are.

(Heavy Metal issue #171, November 1997 – Page 61 The Killer by Sorel and Mosdi)